Solo - Fano Jazz Festival / Italy 29.07
Solo - Lapinlahti Film Festival / Helsinki 24.08
Sofra Trio - Kannelmaki / Helsinki 19.09
Minga Festivalen / Sweden 22-28.09
Orchestra - Nomad Festival / Helsinki 04.10
Orchestra - Global Club Night - Etnosoi 07.11
Solo - Sellosali / Helsinki 12.11
Orchestra- Global Fest 11.12
Melisa Yıldırım composed the song 'Whose Dream Is This, ʻŌʻū?', it was featured on The Last Scream album. Inspired by the last known recording of the extinct ʻŌʻū bird, the composition reflects on the fragile connection between humans and nature.
Just released, The Earth Where We Meet brings together ambient, experimental, and soundscape works that reflect on the growing loss and destruction in nature. Each piece invites listeners to pause and reconsider their relationship with the natural world.
Rachel Beckles Willson and Melisa Yıldırım
Music is more than entertainment - it’s a call to listen deeply, collaborate, and build connections across boundaries.
New Live Performance , Morgenland Festival 2023 / Germany
Melisa Yıldırım - Velvet
October 2024.
Interview : https://www.genelec.com/harmony-tracks#popup-96ID7bCEl9cM-1TDt2PWl9iMh8wsEL1Rr2x
Etnosoi! festival, Finland.
Solo electroacoustic performance.
The Kamancha-Kemane-Kamancheh ; is the oldest instrument which utilises strings from central Asia and the Eastern hemisphere. The name of the instrument varies in various regions due to language differences. This family of instruments has more than 3000 years of history. The fascinating and mystical sounds created are a culmination of hundreds of years of development which has presented us with the instrument we recognise today.
In its earliest form the Kamancha had one string, but due to the demand for a more enhanced experience of sound, additional strings where attached throughout the instruments lifespan and today we are presented with a five stringed instrument.
In the Anatolian region this instrument was used by the Yoruk Turkmen's and is referred to as the Kemane. Most of the Kemane from this region as produced using local gourd. The Kamancha-Kemane, is an instrument which is still to this day evolving, and although there are many different versions of it today they all are bound by a single deep rooted ancestry.
It has been used in a multitude of different cultures stretching from the Turkish, Kurdish, Azerbaijani, Persian and Armenian folk music for hundreds if not thousands of years, and continues to make appearances in an even more diverse range of musical styles and cultures.
email: info@melisayildirim.com
The uniqe journey of two different traditions and musical memories.
This album is the intuitive encounter of consciousnesses..
Tabla & Kamancha
Egypt Scenery (game music) composed by Salla Hakkola.
Dreamer (solo composition for kamancha/kemane)
(London/Istanbul)
Kedi Maya için beste.
Kendisinden ilham alarak yaptığım bu kompozisyon için ona minnettarım. :)
a composition for cat maya.
I am grateful to her for this composition I made inspired by her. :)
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